History of RSAMD

The history of the Academy can be traced back to the creation of the Glasgow Athenaeum in 1847.

The Athenaeum was established to 'provide a source of mental cultivation, moral improvement and delightful recreation to all classes' - in today's terminology, that would be described as a mission statement and it is one to which, even at this distance in time, today's Academy could happily subscribe. Notably, the Athenaeum's inaugural address was delivered by Charles Dickens - very appropriate given the great expectations of the far-sighted founding fathers (yes, they were all men) of that new and exciting institution.

From its inception, the Athenaeum offered classes in music and, in 1886, drama was introduced into its curriculum. Music proved to be so successful that, in 1890, a School of Music was formed as a discrete department of the Athenaeum, with its own Principal (Allan Macbeth, a graduate of the Leipzig Conservatorium) and its own prospectus of courses. It was from the Athenaeum's School of Music that the Scottish National Academy of Music was formed in 1929. Building upon that very firm foundation, the new Academy of Music grew in prestige and, in 1944, its position as an Academy of international standing was recognized by King George VI, who approved that the prefix 'Royal' be added to the Academy's title, making it the 'Royal Scottish Academy of Music'. At that same time, the then Queen Elizabeth graciously assumed the role of Patron of the Academy, a role in which she continued as Queen Mother until her death in 2002.

These exciting developments were by no means confined to music. 1950 saw the creation in Glasgow of the College of Dramatic Art which had the very clear and focused aim of training actors and directors for the professional theatre. Very quickly however, the College's curriculum expanded to include technical courses and, in collaboration with the University of Glasgow, diploma courses with a strong academic element. In 1962, the College opened the first television studio to be located within a UK drama school - evidence of a pioneering spirit with which the present day Academy is still imbued.

It was in 1968 that the title of Royal Scottish Academy of Music and Drama was approved which, of course, reflected the happy union of music and drama in a single Academy, dedicated to excellence across the spectrum of the performing arts.

Throughout the 1970's and 1980's, the Academy continued to develop its course provision and enhance its international reputation. This period saw the introduction of the Academy's first degree courses which, at that time, were validated by the University of Glasgow. However, in session 1993/94, the Academy became the only UK Conservatoire to be awarded its own degree awarding powers by the Privy Council, a decision which followed an extensive review of the Academy's approach to the maintenance and promotion of the quality of its courses. The Academy is justifiably very proud of that wonderful achievement - particularly as the Academy remains to this day the only UK Conservatoire to have achieved that particular distinction. Following the achievement of degree awarding powers, all of the Academy's courses were up-graded to degree level and, over the intervening years, those courses have been refined to keep pace with the demands of the professions. New undergraduate and postgraduate courses have also been added to the Academy's portfolio so as to meet new and future needs. In session 2000/01, the Academy recruited its first research students which represents another key milestone in the Academy's development, particularly as the Academy's approach to research is, in itself, radical in that it is firmly practice-based.

The Academy's physical development has kept pace with its artistic and academic development. In session 1987/88, the Academy moved from its original Victorian home to the splendid custom built building it occupies today - the building having been opened formally by Her Majesty, Queen Elizabeth the Queen Mother in 1988. A mere ten years later, Dame Janet Baker opened the magnificent Alexander Gibson Opera School, which provides rehearsal and coaching rooms, together with a stunning performance space used by both music and drama students.

In 2003, HRH Prince Charles The Prince of Wales (or the Duke of Rothesay as he is known in Scotland) graciously accepted the Academy's invitation to succeed his grandmother as Patron of the Academy, thereby maintaining the Academy's royal patronage for over half a century.

Over the decades, the Academy has developed its course provision and enhanced its international reputation. New undergraduate and postgraduate courses have been added to the Academy’s portfolio so as to meet current and future needs – over the last decade these have included Scottish traditional music, film and television, musical theatre, jazz and, most recently, modern ballet in collaboration with Scottish Ballet. The Academy’s physical development has kept pace with its artistic and academic development. We have recently opened a second campus – Speirs Locks Studios – to accommodate modern ballet and technical and production arts.

We hope that you have enjoyed this very brief historical note. The Academy has come a long way since the 19th Century Athenaeum and is now a mature, confident and vibrant Conservatoire for the 21st Century with its doors wide open to the talented performers of the world.