Woodwind

We believe the RSAMD is the Conservatoire of choice for woodwind, and here are just some of the principle reasons why;
     
  • The amount of individual principal study tuition is 90 minutes per week – higher than any other UK Conservatoire, with an additional 30 minutes on a related family instrument, such as piccolo, Eb/Bass Clarinet, contra bassoon, baroque oboe, cor anglais etc…

   

  • Compared to many Conservatoires, the RSAMD has a relatively small Woodwind Department, with approximately 45 students in total. This is sufficient to service the larger activities such as Symphony Orchestra and Opera, but small enough to give every student numerous and diverse performance opportunities, as well as a highly personal and individual educational experience enabling the student to flourish at their own pace in a supportive environment. This also means that entry to the Academy is very competitive and standards are high.  
 
  • Woodwind students benefit from a wide range of weekly classes delivered by an expert team of specialists. These include classes in orchestral, ensemble and solo repertoire, in contemporary and period performance, technique and performance classes. In addition, masterclasses are given by renowned international musicians.
 
  • Double-reed players benefit from their own practice space. This room also houses specialist reed-making equipment for use, and students receive regular reed-making classes throughout the year.

 

  • All woodwind students are provided with a professional accompanist during their time here for recitals, performance classes, auditions, competitions and exams.   
 
  • Glasgow is overflowing with musical activity of all types. Five orchestras are based here,   and the RSAMD operates apprenticeship and mentoring schemes with several of them. In addition, Glasgow offers unparalleled employment opportunities for woodwind players. RSAMD woodwind students benefit from ‘side by side’ schemes with Scottish Opera, RSNO and BBCSSO. In addition, there are enviable concerto opportunities with both the BBCSSO and RSNO!  
 
  • The RSAMD Monday @ 1 concert series provides our woodwind students with further opportunities to perform alongside staff and visiting professionals, this time, in a duo, chamber or ensemble capacity.   
 
  • The RSA Stevenson Winds Ensemble, directed by illustrious staff members, offers woodwind students prestigious chamber performance opportunities, and all woodwind chamber groups are provided specialist coaching by a tutor of their own choice.  
 
  • Accommodation and the general cost of living is much cheaper than in some other major cities. Most of our students live within easy walking distance and are able to focus on their studies and do not have to spend lots of time and money negotiating the joys of public transport.

Yvonne Paterson
MMus Flute

The Academy is a hub of musical activity and playing with the Academy Orchestras when conductors such as Ilan Volkov and Stéphane Deneuve are at the helm is always exciting – a real highlight for the orchestral musicians! Another amazing thing at the Academy is the chance to work with professional accompanists – at no cost to yourself – it’s a fantastic chance to play through repertoire when it’s still a work in progress! It also means when you play to visiting musicians in the many masterclasses, competitions and performance classes you’re really prepared having worked with the same pianist all year round. Forming chamber music groups is an excellent way to earn some cash – and professional coaching is offered as part of your course.

Graeme Brown
BMus Year 3 Bassoon

The RSAMD Woodwind Department is ‘simply the best’. From the word go opportunities are abound for the aspiring woodwind player - and I have been given many, which I strongly believe would never have been offered to me elsewhere. The woodwind staff are extremely friendly and supportive in helping you to become the musician you want to be.
 
The early years in the department are a great opportunity to build on existing technique and understand your instrument more, particularly as we are offered a generous weekly 90 minute lesson on our principal study and a further 30minutes on our related instrument (Eb, Piccolo, Bass, Contra etc.). It prepares you well for the growing performance opportunities, and initial appearances in the RSAMD Symphony and Wind Orchestra’s helped me to build my understanding of orchestral technique early on – a valuable skill.
 
As a bassoonist, I was also able to do lots of work on reed-making before it ‘ really mattered’. All double reed players know that making your own reeds is very important and at the RSAMD the Woodwind Department has some of the best provisions for this in the UK. We have a double reed room which is for the exclusive use of double reed students for personal practice and lessons. It also houses the Academy’s reed-making equipment and is the venue for regular reed-making classes.
 
As you develop through the course more opportunities arise in the form of competitions, concerto performances, large scale symphonic orchestral programmes with internationally renowned conductors, three professional orchestral training schemes, larger scale chamber music, opera orchestra, contemporary ensembles…the list is endless. Everything, I believe, is here for the aspiring woodwind player – great opportunities in a friendly and welcoming environment.

Fraser Langton
BMus Year 2 Clarinet

  

I chose to study at the RSAMD because the quality of the woodwind faculty is amongst the best anywhere. The woodwind staff are top players from Scotland’s professional orchestras and with the orchestral scene buzzing in Glasgow, there are so many chances to see your teachers perform. Already, I have had some fantastic opportunities, which I may not have experienced, had I decided to study elsewhere.  
The RSAMD operates three apprenticeships in conjunction with the RSNO, BBC SSO and the Orchestra of Scottish Opera. This has given me the chance to appreciate the subtleties of the profession first hand. Those valuable opportunities include experiencing playing 2nd clarinet in a professional orchestra, taking part in the complete run of a full opera production as part of the Scottish Opera collaboration.  
There are also many performance opportunities within the academy itself. The orchestral programme is diverse and highly developed and there are many other specialist chamber ensembles such as the new RSA Stevenson Wind Ensemble which brings in leading artists to direct. There are also regular performance classes and masterclasses given by visiting artists within the academy, which heighten your development as a musician.